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1. #Minolta autocord cds iii price upgrade#
2. #Minolta autocord cds iii price pro#
3. #Minolta autocord cds iii price professional#
4. #Minolta autocord cds iii price series#
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The first model - the Asahi Pentax 6×7, also sold as the Honeywell Pentax 6×7 in North America - produced 60mm x 70mm images (actually closer to 56mm due to the film’s rebate edge) on either 120 (10 frames) or 220 film (20 frames). From the traditional pentaprism finder shape to the lever-operated film advance, the DNA of standard 35mm SLRs is clear from the get.

In 1969, Asahi Pentax released one of the few medium format cameras that essentially operates like a massive 35mm SLR. Mid-Range: Pentax 6×7 / Pentax 6×7 MLU Photo by Jan von Erpecom | Creative Commons Mamiya 645 lens adapters are also readily available for just about any DSLR or mirrorless mount out there.

#Minolta autocord cds iii price upgrade#

With a huge library of lenses - which also work on higher-end models like the Mamiya 645 Pro, should you choose to upgrade later - and one of the most affordable bodies on the market, you really can’t go wrong here. The Sekor C and Sekor N 80mm f/1.9 is the fastest lens in the lineup and among the fastest medium format lenses ever made. The standard and most common lens to find paired with a Mamiya M645 is the Sekor C or Sekor N 80/2.8. The waist-level finders command the highest prices, generally.Īdditionally, five interchangeable focusing screens - matte, microprism, checker, rangefinder spot with microprism, and rangefinder spot - are available, along with additional accessories such pistol handgrips (with and without shutter trigger) and a power drive grip with automatic film advance. The latter allows for aperture-priority autoexposure in addition to regular manual. The bodies do, however, have interchangeable finders: two waist-level (one with a sports finder, one without), an unmetered eye-level prism, three metered prisms (varying differences), and one metered AE prism. This isn’t a big disadvantage in practice, but some photographers do like the ability to swap to different film stocks before finishing a roll. Unlike most other medium format bodies of the time, the first-generation Mamiya 645 bodies do not have interchangeable backs. The only difference is a bump from a top shutter speed of 1/500 in the M645 to 1/1000 in the 1000S. However, the original M645, and successor M645 1000S, are quite affordable.

#Minolta autocord cds iii price pro#

While the second-generation Pro bodies are excellent, they are certainly not budget options. The first included the M645, M645 1000S, and M645 J the second introduced the 645 Super, 645 Pro, 645 Pro-TL, and 645E the third and final generation adopted an autofocus system and, in the late 2000s, partnered with Phase One to function with digital medium format backs - some of these work with current Mamiya Leaf and Phase One backs. There were three generations of Mamiya 645 cameras. The 645 format had not been used in forty years, making the Mamiya 645 the first medium format SLR to use the 645 format, which allowed for 15 shots on 120, or 30 on 220 (the more popular 6×6 format would produce 12 shots on 120 and 24 on 220).

#Minolta autocord cds iii price series#

Mamiya, at the time known for its C series of 6圆cm TLRs, Mamiya Six, Mamiya Press, and RB67 6x7cm medium format cameras released its first 6×4.5cm camera body in 1975. Single-Lens Reflex (SLR) Cameras Budget: Mamiya 645 Series Photo by Matt Williams

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Both offer six-month warranties and free shipping on a majority of products. In our opinion, the best U.S.-based sources for vintage cameras are Robert’s Camera (UsedPhotoPro) in Indianapolis, Indiana, and KEH Camera in Smyrna, Georgia. While used cameras can come from a variety of sources, quality can vary. This isn’t a slight against those not included, but simply a reflection of my personal choices based on very extensive experience with just about any camera you can name. There are dozens upon dozens of brands and models not listed here - this is an inherent trait of any guide of this nature and choices must be made. Similarly, not every category is created equal - rangefinders are inherently more expensive than SLRs or TLRs, which naturally shifts the price scale upward. Thus, these choices are a combination of system cost, availability, and quality.

While there are some very budget options, such as the Seagull 4A or Lubitel TLRs, I find no point in recommending mediocre (or downright awful), unreliable cameras simply because they are the absolute cheapest. We have broken options down into three categories (SLRs, TLRs, and Rangefinders) with three price-based subcategories within those (Budget, Mid-Range, and Premium).